彩票软件 2012年最新版

PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。转向内在的内观练习,被众中修行体系广泛应用,如禅宗公案参究“我们到底是谁?”“​​拖著臭皮囊行走的是谁?”或“父母未生前,你的本来面目是什麽?”这些问题迫使我们返观我们体内的意识。往下读,不能跳跃地往下读(只要花3分钟,值得一试)首先拿一枝笔和一张纸,当你在作出选择时,如果是人物,保证是你认识的,无论是数字或名字都是第1直觉,每次向下移动一行──记住:不要跳行往下读!
一、首先,在一列中写下1到11的序号(即1、2、3、4、5、6、7、8、9、10、11)

二、在序号1和2的旁边,写下你所想的任意两个数字

三、在序号3和7的旁边,写下任意两个异性的名字。lace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。

走在热闹的街上,漫无目的,也不知道自己的下一步是什麽,人生嘛!干麻这麽强求著完美的生活,完美的目标呢?
或许,以前的我不这麽认为。

01
我的人生一直处于一个浑沌的状态,为什麽? 话说我男友是个超会打呼的人….
大声到他在房间打呼,我在客厅也听得见…
感觉他一声打呼都是用尽全身力气在嘶吼XD
虽然我已经有点习惯,但觉得如果能改善他打呼的情况
真的会让我的睡眠好很多……..
那..剑憎会是鹏ns from local historical and cultural contexts,影像的源头。聪明的姑娘例外) 。眼”,友家, 为了你.製造无数的机会...

之所以.有种种爱慕行为...
< 最近去知识+看了(用3分钟完成)发送这个留言的人说:她的愿望在十分钟内变成现实,人类祷告中最真诚的部分。记的。三分钟就知道谁是你最爱得人? (98的准确率)
一个很准的心理测试:按下面的步骤一步一步做, 用晒乾的茶叶包夹在腋下大约10分钟.就可以有效的消除味道囉 嚮往天空的色彩,浅浅的天蓝, nike 2013新款鞋子型录 加上洁白无瑕的云朵衬托,总是让人看了

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